Three years ago, Morgan Cooper, a young cinematographer, created a trailer that took the breezy vibe of “The Fresh Prince” and made it dark, indie, moody. Still, it’s reasonable to feel extra cynical about “Bel-Air,” a revival that was inspired by a piece of viral fan fiction. Hollywood has been obsessed with refining and reflecting its own image since the nineteen-thirties, an era of remakes. The contemporary reboot trend might seem uniquely unchecked, but the practice is nothing new. ![]() reboots-of an existing property, in this case the nineties NBC sitcom “The Fresh Prince of Bel-Air.” ![]() The show is one of those reimaginations-a.k.a. With “Bel-Air,” which is currently airing on Peacock, the qualifier “new” comes with an asterisk. ![]() Two new shows, “Bel-Air” and “Abbott Elementary,” offer a window into the fascinating pressures, exerted by the audience and by the creators themselves, on Black television débuts of late. It is always a referendum on the history of the medium, the history of race and representation. A Black television show cannot spring from a blank slate.
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